21st Century - A
New Millennium On Ice
The 20th Century was coming to
an end with an avid new audience that knew its skating and was hooked on the
thrill of triple jumps by gold standard superstars. In 1990
producer/choreographer Sandra Bezic responded with “Skating” created around
Olympic stars Brian Boitano and Katarina Witt - a ground breaking touring
production with no lavish set, chorus girls, Smurfs, or skating comics. The new
“spectacle” was superb skating presented as theatre by a handful of certified
champions. Toller Cranston and John Curry had set the stage in 1977 - followed
by Robin Cousins in’83 - when each formed his own distinctly different
pared-down skating company for theatre performances. Reviewers welcomed
the innovative new approach and heralded the skaters as artists. In 1985 ice
dance legends Torvill & Dean created an artistic skating company for the
first of their world tours.
In the new millennium theatrical skating is greatly changed yet remains as
wonderfully diverse as ever. “Holiday On Ice” and “Disney On Ice” continue
touring their spectacular revues and lavish fantasy stories around the world;
smaller group performances such as “Art On Ice” are seen annually in Europe;
Russia’s “St. Petersburg Ice Ballet,” and “Bobrin Ice Theatre” are
traveling the globe; while small artistic ensembles like “Ice Theatre of New
York,” “The Next Ice Age” in Baltimore, and “Angels On Ice” in Los Angeles
continue to develop. But three major theatrical skating players have emerged in
the vast North American market: Tom Collins, Scott Hamilton, and Willy Bietak.
Happily each is a former skater with the old hands-on, love-of-show-business
style of the pioneering ice impresarios.
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Tom Collins is a
Canadian miner’s son who learned his show biz smarts in “Holiday On Ice” by
working his way up from wide-eyed chorus skater to star. His interest in also
learning how a big tour operates led eventually to becoming the company
vice-president and general manager. Collins teamed with “Holiday On Ice” boss
Morris Chalfen in 1969 to arrange brief exhibition tours by newly crowned
amateur champions after World Figure Skating Championships were held in North
America. Chalfen soon bowed out thinking the enterprise had no future but
Collins wisely realized that audiences, increasingly drawn to figure skating
by television, would grow. |
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New young champions eagerly await an invitation to join “Tommy’s tour” to prove
they’ve made it. Fans are thrilled to see their favorite ice idols, so familiar
from television, performing live as entertainers free from the restrictions and
nerves of competition. Collins often mixes legendary professionals with the
up-and-coming new kids so there’s great skating history out on the ice. For
over twenty-five years Tom Collins, who renamed his show “Champions On Ice” in
1998, has presented the world’s greatest figure skaters. He has the distinction
of being inducted into the United States, Canadian, and Professional Figure
Skating Halls of Fame.


NOTE:
In
November of 2006 Tom Collins sold his “Champions On Ice” show to AEG (Anschutz
Entertainment Group) but was retained to operate the tour as President. After a
year of poor business, the retirement of many of the best-known skaters, and a
bleak forecast for the U.S. economy AEG cancelled the 2008 tour. After 29 years
of presenting the world’s greatest skaters to eager American audiences and
years of sold-out arenas during figure skating’s go-go years in the 1990s,
“Champions On Ice” has come to an end.
Audiences have turned their
attention to “American Idol” and “Dancing With the Stars” for the
entertainment, thrills, and exciting personalities that made skating so
enormously popular. Those elements still exist but it will take time for the
new crop of skaters to become household names and build their box office
appeal. The negative mode of current economics is a huge factor. It’s boom or
bust and I’ll be waiting for the next boom to bring a New Faces tour of
“Champions On Ice” to see who will be the next Michelle Kwan, Brian Boitano,
and Berezhnaya & Sikharulidze…and the next Tom Collins.
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Back in 1986 after starring in “Ice Capades”
for two years reigning Olympic champ Scott Hamilton was informed that male
skaters don’t sell tickets and shown the door. Scott, a born entertainer, loved
performing but found that the standard ice show grind of 12 shows in a
different town every week destroys an athlete’s body and soul. Freed from
that treadmill he dreamed of heading an all-star troupe of his peers who
could also skate together in various combinations and in innovative
productions. A year later he led a small company of elite skaters on a
successful barnstorming test tour of one-night stands. Thus encouraged and
with corporate sponsorship his dream came to fruition in 1987 - the “Discover
Card Stars On Ice” show took to the road. With each succeeding year audiences
increased as did the tour itinerary.
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In 1992 International
Management Group, the underwriters of “S.O.I.,” wanted to snag new Olympic
gold medalist Kristi Yamaguchi for the show. They bought out the rival
Boitano-Witt tour to bring creative genius Bezic aboard as
director/choreographer (later, also producer) which also brought them Ms.
Yamaguchi for whom Bezic was choreographer. |
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“Stars” stellar casts have
included Paul Wylie, Katarina Witt, Torvill & Dean, Kurt Browning, Tara
Lipinski, Ilya Kulik, Berezhnaya & Sikharulidze, and Sale &
Pelletier. Fans emotionally followed cast members Meno & Sand’s love
story and wedding, wept over Sergei Grinkov’s untimely death and ached for
his widowed partner Katia Gordeeva and tiny daughter Daria. They cheered in
1997 when Scott Hamilton triumphantly returned to “Stars On Ice” after
successfully battling testicular cancer and expressed great concern in 2004
as he received treatment for a brain tumor. Founding father Scott retired
from regularly performing in 2001 but, together with choreographer
Christopher Dean and costume designer Jeff Billings, continues to guide
“Stars On Ice” into the future. |
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Willy Bietak, nine-time
Austrian pairs champion and twice an Olympian, skated with Peggy Fleming in
her 1972 TV special “To Europe With Love” and with partner Cathy Steele in
Fleming’s German and U.S. tours of “An Evening On Ice.” Like Tom Collins
Willy was a performer who discovered a love of the business side of show
business. Beginning in the 1980s he began co-producing such shows as “Concert
On Ice” and “Fantasy On Ice,” for elegant showrooms and theatres. Right from
the start he insisted on quality and hired top stars Fleming, Scott Hamilton,
Dorothy Hamill, Tai Babalonia & Randy Gardner, John Curry, and Charlie
Tickner. For five years Bietak co-produced “Ice Capades” including the gala
1990 50th edition, and in Europe he created the “Holiday On ice” productions
Colours of Dance and In Concert. |
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In the 1980s Bietak began
creating ice productions for several U.S. theme parks and also at venues in
Canada, Mexico, and Japan. His “Broadway On Ice” show, designed and
choreographed for proscenium stages, was recently presented with a succession
of elite skaters that included Nancy Kerrigan, Rudy Galindo, Tara Lipinski,
Tai & Randy, Dorothy Hamill, and Brian Boitano. |
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Bietak Productions also rents
portable rinks that are in high demand year round for projects like Downtown
On Ice in L.A., Disney’s TV taping of “Mulan,” a competition in Tokyo, and
the highly complex free-form ice surfaces for the opening and closing
ceremonies of the 2002 Winter Olympics. Eager to snag the young crowd for his
“Hot Ice” show at California’s Magic Mountain theme park in ’04 Bietak won
high praise with his excellent youthful cast, surprisingly contemporary
music, and the latest high tech electronics. Beginning in 2000 each of the
six newest and largest Royal Caribbean Lines cruise ships have been built
with an ice rink. Bietak Productions has had great success with the six
different shows they’ve created, one performing on each ship, often
choreographed by Cathy Bietak, Willy’s wife and former partner. |
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I can’t wait to see what new and exciting developments and changes the 21st century will bring to the evolution of skating as a theatrical art. Let’s hope we’re only getting started and that hugely talented and wildly creative people will emerge, both on and off the ice, to develop ways of presenting the unique magic of skating that are more amazing than we have ever dreamed. |
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